Finding the perfect audio interface can transform your recording and mixing experience, and with so many options out there, it’s crucial to choose one that delivers top-notch performance and reliability. In this guide, we’ve spotlighted the 9 best audio interfaces for live use this year, each designed to offer exceptional sound quality and robust features. Whether you’re recording new tracks or fine-tuning your mixes, these interfaces are built to handle diverse audio needs with ease.
Consider these three key factors when making your decision:
- Connectivity: The number and type of inputs and outputs are crucial. For live performance, you’ll likely need multiple inputs for microphones, instruments, and other sources. Ensure the interface has enough outputs to connect to your mixer, amplifiers, and other equipment. Look for interfaces with Thunderbolt, USB-C, or USB-A connections, as these offer high-speed data transfer and compatibility with various devices.
- Preamp Quality: The quality of the preamplifiers is essential for capturing clean, transparent sound. Look for interfaces with high-quality, low-noise preamps. Consider the number of preamps needed based on your specific setup. If you’re using multiple microphones, ensure the interface has enough preamps to accommodate them.
- Portability: If you’re frequently traveling for performances, a portable interface is essential. Look for interfaces with a compact design, lightweight construction, and included carrying cases. Consider the power requirements as well. Some interfaces can be powered by bus power from your computer, while others may require external power supplies.
Best Audio Interfaces For Live Performance Table
| Best Audio interfaces for live performance | Phantom Power | Latency | I/O Count | Buy Now |
|---|---|---|---|---|
| Behringer U-Phoria UM2 USB Audio Interface | 48v plus | Zero-Latency | 1 In/1 Out | Check On Amazon |
| Behringer U-Control UCA222 USB Audio Interface | 48v | Ultra-Low Latency | 2 In/2 Out | Check On Amazon |
| M-Audio AIR 192x4 USB C Audio Interface | 48v | zero-latency | 2 In/2 Out | Check On Amazon |
| PreSonus Studio 68c USB Audio Interface | 48v | - | 6-in/6-out | Check On Amazon |
| Behringer UMC404HD U-Phoria USB Audio/MIDI Interface | 48v | - | 4 In/4 Out | Check On Amazon |
| PreSonus AudioBox iTwo USB/iPad Audio Interface | 48v | zero-latency | 2 In/2 Out | Check On Amazon |
| MOTU M4 4x4 USB-C Audio Interface | 48v | Ultra-Low Latency | - | Check On Amazon |
| TASCAM US-16x08 USB Audio Interface | 48v | low-latency | 8 Inputs, 8 Outputs | Check On Amazon |
| MAONO PS22 USB Audio Interface | 48v | minimal latency | 2 In/2 Out | Check On Amazon |
Best Audio Interfaces For Live Performance Reviews
1. Behringer U-Phoria UM2 USB Audio Interface
Offering a 2-channel setup with a single XENYX preamp the Behringer U-Phoria UM2 works well for recording and with a sample rate of 48 kHz, it handles good audio quality. Its compact size, weighing just 9.2 ounces and measuring 6.3 x 8.27 x 3.54 inches, makes it easy to fit into a small recording space or a backpack for mobile recording.
One of the main advantages is its simplicity. The UM2 has phantom power and an instrument input, so it’s easy to connect a variety of audio sources. The zero-latency monitoring is a huge plus if you want to hear your performance in real-time without any delay and the interface is compatible with both Windows and macOS, and it also supports Tracktion 4 software making it a solid choice if you’re starting out or need a simple setup for recording or streaming.
Specifications:
- Channels: 2
- Phantom Power: 48V
- Sample Rate: 48 kHz
- Item Weight: 9.2 ounces
- Dimensions: 6.3 x 8.27 x 3.54 inches
- Connector Types: 1x XLR/TRS, 1x 1/4″, 2x RCA, USB
- Hardware Interface: USB 2.0
- Supported Software: Tracktion 4
- Operating System: Windows, macOS
- Latency: Zero-Latency
Pros:
- Inserts on each input allow for external processing like compression
- Can handle basic multitrack recording with DAWs
- Mic preamps deliver clear sound with minimal harshness
- Best for simple mobile recording needs
Cons:
- Might not handle low-output ribbon mics effectively
2. Behringer U-Control UCA222 USB Audio Interface
We really liked the interface of the Behringer U-Control UCA222 when we tested it. It has high-resolution 48 kHz converters, which ensure satisfying audio quality without requiring an external power supply. The unit weighs 7.7 ounces and is quite compact, measuring 7.2 x 5.5 x 1.4 inches which makes it easy to use in various setups, from home studios to portable recording rigs.
The inclusion of energyXT2 Compact music production software is a huge plus as it loads quickly on both PC and Mac, making it a great addition for users looking to start recording right away. The stereo headphone output with level control allows you to monitor both input and output, which is a nice touch for real-time adjustments. Overall, the UCA222 is a great choice if you need a simple, no-frills audio interface.
Specifications:
- Channels: 2
- Converters: High-resolution 48 kHz
- Phantom Power: 48V
- Item Weight: 7 ounces
- Dimensions: 2 x 5.5 x 1.4 inches
- Supported Software: energyXT2 Compact, Audacity
- Latency: Ultra-Low Latency
- I/O Count: 2 In/2 Out
- Additional Features: Stereo headphone output with level control, S/PDIF optical output
Pros:
- Suitable for digitizing analogue media like vinyl or cassettes
- Effective as a basic DAC to improve PC sound
- Includes both RCA and headphone connections
- Optional ASIO drivers enhance performance
Cons:
- Limited to analogue inputs and outputs, no digital input options
3. M-Audio AIR 192×4 USB C Audio Interface
With a resolution of 24-bit/192kHz and an exceptional audio quality the M-Audio AIR 192×4’s interface provides a clear and detailed sound that’s ideal for professional recording and monitoring. The combination of premium components and transparent preamps really does capture every nuance of your audio, which is helpful for both musicians and podcasters. The inclusion of both USB and USB-C cables makes it versatile and easy to connect to different setups.
The low latency feature of 2.59ms was impressive in our tests. This means there’s almost no delay between recording and playback, which is crucial for maintaining sync in music production or live streaming. In terms of connectivity, the M-Audio AIR 192×4 is well-equipped. It has a combo input for XLR and ¼” TRS, a separate ¼” instrument input, and various outputs including stereo ¼” outs and a ¼” headphone out.
Specifications:
- Resolution: 24-bit/192kHz
- Connectivity: USB, USB-C
- Inputs: 1 XLR+¼” TRS combo, 1 ¼” instrument
- Outputs: Stereo ¼” outs, ¼” headphone out
- Latency: 59ms
- Phantom Power: 48v
- Item Weight: 76 pounds
- Dimensions: 04 x 6 x 2.76 inches
- Supported Software: MPC Beats, Ableton Live Lite, Touch Loops, Creative FX Collection, Xpand!2, Mini Grand, Revalver
Pros:
- Can handle high-impedance headphones effectively
- Includes useful VST FX plugins and virtual instruments
- Low latency for real-time monitoring and recording
- Direct USB/Direct knob allows flexible sound monitoring
Cons:
- Potential for increased heat at higher sample rates
4. PreSonus Studio 68c USB Audio Interface
The PreSonus Studio 68c’s configuration provides ample connectivity for various instruments and devices. This flexibility, combined with the high-headroom instrument inputs and balanced TRS line inputs, This audio interface is suitable for anyone from home studio enthusiasts to professional musicians. The ladder-style LED meters are a nice touch, allowing for precise monitoring of input and output levels. It comes with an audio interface that supports up to 24-bit/192kHz recording and playback, ensuring high-quality audio. And the inclusion of four XMAX Class A mic preamps offers a pristine sound for more complex setups or multi-track recording.
One thing to note is that the Studio 68c includes a substantial software bundle worth over $1000, featuring Studio One Artist and Ableton Live Lite among others. This is a significant value addition for those looking to start recording right away. In summary, the PreSonus Studio 68c is a powerful and flexible interface with a lot to offer.
Specifications:
- Resolution: 24-bit/192kHz
- Inputs: 4 XMAX Class A mic preamps, 2 high-headroom instrument inputs, 4 balanced TRS line inputs
- Outputs: 2 DC coupled, balanced ¼” TRS line outputs, 2 DC coupled, balanced ¼” TRS main outputs
- Phantom Power: 48v
- Item Weight: 1 pound
- Dimensions: 51 x 9.02 x 1.73 inches
- Supported Software: Studio One Artist, Studio Magic plug-in suite, Ableton Live Lite
- Connectivity: USB-C to USB-C and USB-C to USB-A cables included
- Features: Cue Mix A/B function, professional LED level meters, S/PDIF and MIDI I/O
Pros:
- High-quality direct Z monitoring to minimize latency
- Provides stable performance with minimal latency issues
- Great for recording and mixing with available plugins
- Intuitive software that’s easy to learn
Cons:
- Refurbished units may not provide access to free software
5. Behringer UMC404HD U-Phoria USB Audio/MIDI Interface
The inclusion of MIDAS microphone preamps in the Behringer UMC404HD ensures the audio inputs are of high quality and reduce noise to improve clarity. It also includes MIDI I/O, which is a big plus if you’re integrating MIDI equipment into your setup. We tried this feature out and appreciated how easily it connected with our MIDI devices without any noticeable latency.
With the 4X4 USB 2.0 interface, this device supports up to four audio inputs and outputs which is best for recording bands or multiple instruments simultaneously. The 24-bit/192 kHz resolution also makes sure that the audio quality remains high, capturing every detail in your recordings. The zero-latency monitoring is incredibly useful for real-time recording, as it allows to monitor the sound without any delay.
Specifications:
- Audio Inputs: 4
- Audio Outputs: 4
- Phantom Power: 48v
- Latency: Zero-Latency
- Sample Rate: 24-bit/192 kHz
- Connectivity Technology: USB 2.0
- Item Weight: 54 kg
- Product Dimensions: 79 x 24.64 x 16.51 cm
Pros:
- Sturdy and well-packed, able to withstand minor drops
- Offers multiple input options including XLR and TS
- Less noise compared to other budget interfaces
- Includes phantom power for condenser mics
Cons:
- Drivers may cause issues with certain PC configurations
6. PreSonus AudioBox iTwo USB/iPad Audio Interface
The 2×2 USB/iPad interface design of the PreSonus AudioBox iTwo lets you easily connect to both your computer and iPad without needing an extra power supply, which is a major convenience for mobile setups. The audio quality is impressive for its size. With 24-bit/96 kHz converters, the iTwo captures a good level of detail in recordings, though it doesn’t reach the high resolution of some larger interfaces.
The preamps have high headroom and low noise, providing clear sound without unwanted interference. We liked the simple yet effective controls, including the zero-latency monitoring which worked perfectly for our recording needs. In terms of software, the bundle is robust. We found the included Studio One Artist and Ableton Live Lite to be quite useful, offering plenty of features for a beginner or intermediate user, and the compact metal chassis is durable and travel-friendly, which is great if you’re recording on the move.
Specifications:
- Audio Inputs: 2 (combo mic/instrument/line)
- Audio Outputs: 2 (balanced ¼” TRS)
- MIDI I/O: 1×1
- Phantom Power: 48v
- Latency: Zero-latency
- Sample Rate: 24-bit/96 kHz
- Connectivity Technology: USB 2.0
- Compatible Devices: Mobile phone
- Supported Software: Studio One Artist, Ableton Live Lite, Studio Magic plug-in suite
- Item Weight: 04 pounds
- Product Dimensions: 88 x 8.38 x 8.88 inches
Pros:
- Recreates USB MIDI/AUDIO Host environment for keyboards
- Provides a direct audio connection through iPad camera connector adapter
- The mix knob adjusts output levels effectively
- Reliable with both dynamic and condenser microphones
- Provides a clean and noise-free audio signal
Cons:
- Unreliable with some older or less capable devices
7. MOTU M4 4×4 USB-C Audio Interface
The full-color LCD of the MOTU M4 displays detailed level meters for all inputs and outputs. Unlike many other interfaces, this one offers a clear visual representation of your audio levels, which is a big help when fine-tuning your recordings. This visual feedback allows for more precise control over your sound, which is particularly beneficial for mixing and mastering.
The 2.5 ms round-trip latency at 96 kHz is perfect for live recording as it guarantees the delay between input and output is virtually non-existent when you’re tracking instruments or vocals which is crucial for professional-level work. The inclusion of loopback channels is another make live streaming or podcasting more accessible by allowing you to mix computer output with live inputs seamlessly. This integration can save time and reduce the need for additional gear.
Specifications:
- Supported Software: Performer Lite, Live Lite production
- Number Of Channels: 4
- Item Weight: 454 g
- Operating System: Mac
- Maximum Sample Rate: 192 kHz
- Product Dimensions: 96 x 10.8 x 4.45 cm
- Phantom Power: 48v
- Latency: Ultra-Low Latency
- I/O Count: 4 In/4 Out
Pros:
- USB-C connectivity is common and easily replaceable if needed
- The design ensures no dropouts during intense recording sessions
- The interface remains powered and operational consistently
- Handy MIDI inputs and outputs support older equipment
Cons:
- Cable length is insufficient, requiring an additional purchase for a longer cable
8. TASCAM US-16×08 USB Audio Interface
The TASCAM US-16×08 offers a high number of inputs and outputs which is perfect for larger recording setups. We tried this model and were impressed by its 16-in/8-out capability, which allows for recording multiple sources simultaneously. This feature is especially useful for band recordings or complex studio setups.
The eight Ultra-HDDA microphone preamps provide clean and powerful sound with up to 57dB of gain. This high level of gain guarentees that even low-level signals are captured accurately, which is essential for professional-quality recordings. The preamps contribute to a clear, noise-free audio signal. The USB Audio Compliance 2.0 drivers also ensure compatibility with iOS devices. This feature broadens the usability of the US-16×08, allowing for mobile recording setups and flexibility in different environments.
Specifications:
- Number Of Channels: 16
- Item Weight: 77 kg
- Operating System: Windows
- Maximum Sample Rate: 96 kHz
- Phantom Power: 48v plus
- Latency: Low-Latency
- I/O Count: 8 In/8 Out
- Size: 04 x 22.09 x 11.34 inches
- Voltage: 240 Volts
Pros:
- Onboard DSP with reverb, compression, and EQ enhances live mixing
- Built-in MIDI interface and digital inputs add functionality
- Built-in phantom power supports various microphones
- Multiple mic inputs and combined XLR/TRS jacks provide flexibility
Cons:
- Knobs are hard to use and hard to read without proper lighting
9. MAONO PS22 USB Audio Interface
The PS22 has high sampling rate of 24-bit/192kHz, which provides clear and detailed sound reproduction. This high resolution ensures that every detail in your recordings is captured with minimal distortion. The device also features a 60 dB preamp gain range, which means it can handle both sensitive condenser mics and low-sensitivity dynamic mics with ease.
The dual USB-C ports, which allow for seamless connectivity with a range of devices including PCs, smartphones, and tablets. This flexibility is a huge plus for those who want to record or stream on the go. The dual inputs also make it easy to record vocals and instruments simultaneously, which is great for solo artists or bands.
Specifications
- Sampling Rate: 24-bit/192kHz
- Preamp Gain: Up to 60 dB
- Input Ports: 2
- Output Ports: 2
- Connectivity: Dual USB-C ports
- Supported Devices: PC, smartphone, tablet
- Phantom Power: 48V
- Included Software: ProStudio driver required for Windows
- Item Weight: 92 lbs
- Product Dimensions: 92 x 7 x 1.81 inches
- Compatible Operating Systems: Windows, macOS
Pros:
- Offers a true power switch, which adds convenience compared to other USB audio interfaces
- Features a separate knob to adjust the mix of volume from iOS apps and instruments
- Phantom power support for XLR mics, enhancing its utility for different types of microphones
- The unit operates well when used with a dynamic mic, given a sufficient gain boost
Cons:
- No onboard memory to save settings when used with an Android device
Buying Guide For Audio Interfaces
1. Phantom Power
Phantom power is a 48V supply provided through XLR cables to power condenser microphones, which require it to operate.
- Check if the interface provides 48V phantom power, essential for condenser mics. Ensure it supports switchable phantom power on individual channels (e.g., 2-channel or 4-channel) to allow versatility with different mic types.
- Consistent phantom power is critical for avoiding noise or hum. Interfaces should offer stable phantom power without introducing artifacts. Look for features like a dedicated switch or control for enabling/disabling phantom power for each channel.
- Interfaces with reliable 48V phantom power and switchable options for each channel to accommodate various microphones and prevent noise issues.
2. Latency
Latency is the time delay between when an audio signal is input and when it is heard through the monitors.
- Ideal latency is 4ms or lower. Check the interface’s driver specifications; for example, interfaces with ASIO drivers on Windows or Core Audio drivers on macOS tend to have lower latency.
- High latency can disrupt live performance and recording. Features such as direct monitoring, which allows you to hear your input signal in real time, are crucial. Interfaces with efficient drivers and low-latency monitoring capabilities are preferable.
- Interfaces with latency of 4ms or less and optimized drivers to ensure real-time audio feedback and smooth live performance.
3. I/O Count
I/O count refers to the number of input and output channels available on the interface.
- Look for interfaces with at least 4-8 inputs and 4-6 outputs. Inputs may include XLR, TRS, and MIDI ports, while outputs include main outs and headphone outputs. For example, an interface with 8 inputs and 4 outputs offers flexibility for multiple microphones and routing options.
- More I/O channels provide greater flexibility for connecting various audio sources simultaneously. Interfaces with a mix of XLR, TRS, and MIDI connections enhance versatility. Ensure the interface supports simultaneous input/output to manage complex setups effectively.
- Interfaces with a high I/O count (e.g., 8 inputs and 4 outputs) and diverse connectivity options to handle multiple audio sources and outputs efficiently.
4. Preamp Quality
The quality of preamps affects how well audio signals are amplified before conversion.
- High-quality preamps should offer gain up to 60dB or more and low self-noise (measured in dB, e.g., < -128dB). Look for preamps with high headroom to avoid distortion.
- Quality preamps are crucial for clear and detailed recordings. Check if the interface includes features like adjustable gain controls and high-quality A/D converters to ensure precise amplification and minimal noise.
- Interfaces with high-quality preamps (e.g., 60dB gain) and low self-noise to capture clean, detailed audio without distortion.
5. Build Quality And Portability
Build quality refers to the construction and durability of the interface, while portability concerns its ease of transport.
- Look for interfaces with a metal chassis for durability, weighing less than 2-3 pounds for easy transport. Ensure it has a compact design to fit in a travel bag or equipment case.
- With a rugged build, the interface can withstand the physical demands of live performance environments. Features like protective cases or rack-mounting options add convenience.
- Interfaces with a durable metal build and lightweight design (under 3 pounds) for easy transport and handling.
6. Connectivity Options
Refers to the types and number of connections available for integrating the interface with other equipment.
- Modern interfaces should feature USB-C or Thunderbolt connections for high-speed data transfer. Additional ports might include MIDI (5-pin), ADAT (optical), and S/PDIF (coaxial or optical).
- Versatile connectivity provides compatibility with a range of devices and simplifies integration. Check for interfaces that offer multiple connection types to accommodate various audio gear.
- Interfaces with USB-C or Thunderbolt connections and multiple I/O ports (e.g., MIDI, ADAT) for comprehensive connectivity and integration.
7. Software Bundle
Includes the digital audio workstations (DAWs), plugins, and other tools provided with the interface.
- Look for interfaces that come with a DAW (e.g., Ableton Live Lite, Pro Tools First) and additional software like virtual instruments or effects plugins. The bundle should be compatible with your operating system.
- A robust software bundle enhances recording and mixing capabilities. Check if the software included matches your workflow needs and supports various plugins and instruments.
- Interfaces that include a comprehensive software bundle, such as a DAW and useful plugins, to provide a complete recording and production setup.
8. Audio Resolution And Sample Rate
Refers to the bit depth and sample rate of the recordings, which impact audio quality.
- Opt for interfaces supporting 24-bit depth and sample rates up to 192kHz. This ensures high-resolution audio with detailed sound reproduction.
- Higher resolution and sample rates capture more detail and offer flexibility in post-production. Verify the interface’s specifications for supported bit depths and sample rates to meet professional standards.
- Interfaces with 24-bit depth and sample rates up to 192kHz for high-quality audio recordings and detailed sound reproduction.
FAQs:
When selecting an audio interface for live performance, prioritize low latency, durable build quality, multiple input/output options, and high-quality preamps. Additionally, consider the software compatibility with your DAW and operating system, as well as whether it supports features like MIDI connections or digital I/O if needed.
Low latency is crucial because it ensures minimal delay between the input signal (like your instrument or vocals) and the output sound, which is essential for maintaining timing and synchronization during live performances. High latency can cause noticeable delays, leading to a poor performance experience.
The type of connection depends on your computer’s available ports and the level of performance you need. USB interfaces are the most common and compatible, but Thunderbolt interfaces offer lower latency and higher data transfer speeds, which can be beneficial in more demanding live setups.
This depends on the complexity of your setup. Solo performers might only need 2-4 inputs, while bands or larger setups may require 8 or more inputs to accommodate multiple instruments, microphones, and other equipment. Consider your current needs and potential future expansion.
Yes, some audio interfaces come with built-in Digital Signal Processing (DSP) that allows you to add effects like reverb, delay, or compression directly within the interface, reducing the load on your computer and providing real-time processing during live performances.
High-quality preamps are essential for clear and noise-free audio signals. In a live performance setting, good preamps ensure that your instruments and vocals are captured with high fidelity, preserving the nuances of your sound and reducing unwanted noise or distortion.
Yes, many audio interfaces are versatile enough to be used both for studio recording and live performances. However, for live use, ensure that the interface is robust and portable, and offers the necessary inputs/outputs and low latency performance required for live settings.
Yes, there are many compact and portable audio interfaces designed specifically for live performances. These models are typically durable, offer bus-powered operation (via USB), and include essential features without compromising on sound quality.
Prices for live-performance audio interfaces can vary widely. Entry-level models start around $100-$200, offering basic features and decent performance. Professional-grade interfaces can range from $500 to over $1,000, providing advanced features, superior sound quality, and more connectivity options.
While not strictly necessary, having a backup audio interface can be a good idea for critical live performances, especially if your main interface is prone to issues or if the performance is mission-critical. A backup ensures that you can quickly switch to a functioning interface in case of technical difficulties.
Conclusion
Ultimately, the right audio interface is the key to unlocking your full potential as a musician. By carefully considering factors such as input and output channels, connectivity options, preamps, and portability, you can select an interface that seamlessly integrates into your setup and delivers exceptional sound.
Therefore, investing in a high-quality audio interface is a worthwhile investment that will elevate your live performances and ensure a professional-sounding experience for your audience.
