An audio interface is a device that allows you to connect your microphone and other instruments to your computer so that you can record and monitor your audio. There are many different audio interfaces on the market, and it can be difficult to know which one is right for you. If you’re a vocalist, you’ll want to choose an audio interface that has good preamps and converters, and that is compatible with your recording software.
Top 3 Factors to Consider:
- Preamplifier Quality: High-quality preamps are essential for capturing detailed and clear vocals. Look for interfaces with preamps offering at least 40 dB of gain and a low noise floor of -128 dB or better to ensure pristine sound with minimal interference.
- Phantom Power And Input Options: For optimal use of condenser microphones, ensure the interface provides 48V phantom power. Additionally, consider interfaces with multiple input options, such as at least 1 XLR input and 1 instrument input, to accommodate a variety of recording needs.
- Low Latency: Low latency is crucial for real-time monitoring and accurate recording. Aim for interfaces with latency rates below 10ms to avoid delays that can disrupt your performance and hinder the recording process.
Overview Of The Best Audio Interfaces For Vocals
| Brand & Model | Preamplifier Quality | Phantom Power and Input Options | Buy Now |
|---|---|---|---|
| Focusrite Scarlett Solo 3rd Gen Audio Interface | High-quality mic preamps with switchable Air mode for clarity | 1 XLR input with phantom power, 1 instrument input | Check On Amazon |
| Behringer U-Phoria UMC202HD Audio Interface | Quality preamps with phantom power | 1 XLR input with phantom power, 1 instrument input | Check On Amazon |
| PreSonus AudioBox GO Audio Interface | Professional XMAX-L mic preamp with 50 dB gain | 1 XLR/Line input with phantom power, 1 TS instrument input | Check On Amazon |
| M-Audio M-Track Solo Audio Interface | Transparent Crystal Preamp | 1 XLR/Line input with phantom power, 1 Line/Instrument input | Check On Amazon |
| MAONO Audio Interface (AME2) | High-performance preamps with 60dB gain | Phantom power, multiple inputs including XLR and 6.35mm | Check On Amazon |
Best Audio Interfaces For Vocals| Reviews
1. Focusrite Scarlett Solo 3rd Gen Audio Interface
The high-performing mic preamps on the Focusrite Scarlett Solo 3rd Gen brought a noticeable brightness to vocal recordings when we tested it and the switchable Air mode added an extra clarity to acoustic instruments. This was particularly useful when recording acoustic guitars and vocals and with its 24-bit/192kHz recording capability, it offers pro-level quality that would satisfy even those who are just starting in music production.
The Gain Halos is a smart feature, that lets you know if your levels are too high or too low, which is especially helpful for beginners who are still getting a feel for recording levels. The two inputs—a high-headroom instrument input for your guitar or bass and an XLR mic input—are simple but effective, covering all the basic needs of a solo artist or podcaster. The low-noise balanced outputs are a nice feature, offering crystal-clear playback that lets you hear every detail in your recordings. Whether you’re monitoring through speakers or headphones, the sound quality is impressive for this price range.
Specifications:
- Audio Resolution: 24-bit/192kHz recording capability
- Outputs: 2 low-noise balanced outputs
- Compatibility: Mac OS, Windows OS, iOS
- Power Source: USB-powered
- Connectivity: USB-C
- Dimensions:77 x 5.65 x 1.71 inches
- Weight:3 ounces
- Channel Quantity: 2 channels
- Operating Voltage: 240 Volts
Pros:
- Crystal-clear playback with low-noise outputs
- Gain Halos help monitor levels effectively
- Is compatible with all major DAWs
- Phantom power for condenser mics
Cons:
- Lacks MIDI input/output
2. Behringer U-Phoria UMC202HD Audio Interface
The first thing we noticed about the Behringer U-Phoria UMC202HD was the sturdy metal chassis, which gives it a robust feel compared to other similarly priced interfaces. It’s built to withstand some wear and tear which makes it a good choice for mobile recording setups or musicians who need a durable interface. With 24-bit/192kHz resolution, it delivers clear and detailed audio recordings, comparable to more expensive models in terms of sound quality. This audio interface has two XLR/TRS combo inputs, which is a step up from interfaces with only one.
This makes it more versatile if you plan to record multiple sources simultaneously, such as a guitar and vocals. It also provides phantom power, which is essential for using condenser microphones. We found the direct monitor feature particularly useful for latency-free monitoring, something that is crucial during recording sessions to avoid any distractions. The compatibility with a wide range of recording software, including Pro Tools and Ableton Live, is a huge plus, especially for those who are already comfortable with these platforms. It’s also worth noting that this interface is compatible with both Windows and Mac OS.
Specifications:
- Build Quality: Metal, impact-resistant chassis
- Connectivity: USB 2.0
- Dimensions:92 x 6.22 x 3.46 inches
- Weight:19 pounds
- Channel Quantity: 2 channels
- Inputs: XLR/TRS combo
- Outputs: 1/4-inch TRS
- Phantom Power: +48V
Pros:
- Has a powerful headphone output with level control
- Phantom power for condenser microphones
- Balanced main outputs for clean audio
- Low-latency direct monitoring
Cons:
- No Gain Halos or similar monitoring features
3. PreSonus AudioBox GO Audio Interface
The AudioBox GO comes with a bundle of software that is especially useful for the Studio One Prime DAW. For beginners or those who need a straightforward, no-frills recording setup, this is a big plus. You also get the Studio Magic bundle, packed with tutorials, sound samples, and virtual instruments, making it easy to jump straight into creating music.
In terms of hardware, the AudioBox GO keeps it simple but effective. It comes with one XLR/line combo input and a TS instrument input, so you can record a vocal and an instrument simultaneously. The built-in headphone output with mix control is a nice touch, letting you monitor your recording with zero latency. With 24-bit/96kHz recording capabilities. The XMAX-L mic preamp does a good job, especially with condenser mics. For someone starting out or needing a portable interface, the sound quality is more than sufficient.
Specifications:
- Connectivity Technology: USB-C
- Number of Channels: 2
- Weight:2 ounces
- Dimensions:37 x 4.37 x 1.75 inches
- Operating System Compatibility: Windows, macOS, Chrome OS, iOS/iPad, Android
- Mic Preamp: XMAX-L with 50 dB gain
- Max Resolution: 24-bit/96kHz
- Inputs: 1 XLR/Line combo, 1 TS Instrument
- Outputs: 2 TRS 1/4” main, 1 TRS 1/4” headphone
- Bundled Software: Studio One Prime DAW, Studio Magic
Pros:
- Bus-powered makes it more portable
- Has flexible monitoring options
- Good preamp quality with 50 dB gain
- The software bundle includes tutorials and virtual instruments
Cons:
- Lacks onboard effects or DSP
4. M-Audio M-Track Solo Audio Interface
We liked the Crystal preamp included in the M-Track Solo, which provides a clean and transparent sound. It’s not going to rival high-end preamps, but for this price point, it’s more than adequate. The unit also features zero-latency monitoring, a crucial feature when you’re recording, as it allows you to hear what you’re playing or singing in real-time without any delay. The USB/Direct switch is a simple but effective feature that toggles between direct input monitoring and computer playback, giving you control over what you hear in your headphones.
The M-Track Solo includes a single XLR/Line combo input with phantom power, which is perfect if you’re just recording a single microphone or instrument. There’s also a separate line/instrument input, giving you a bit more flexibility if you need to record both a vocal and an instrument at the same time. The interface handles 48kHz audio resolution, which is good enough for most entry-level projects.
Specifications:
- Connectivity Technology: USB (Type B)
- Number of Channels: 2
- Weight:6 ounces
- Dimensions:46 x 6.43 x 2.14 inches
- Operating System Compatibility: Windows, macOS
- Mic Preamp: Crystal Preamp
- Phantom Power: +48V
- Max Resolution: 48kHz
- Inputs: 1 XLR/Line combo, 1 Line/Instrument
- Outputs: Stereo RCA, 1/8” headphone
Pros:
- Budget-friendly and affordable
- Crystal preamp provides clean sound
- USB/Direct switch for monitoring control
- Includes MPC Beats software for music production
- Stereo RCA outputs for speakers
Cons:
- Plastic build feels fragile
5. MAONO Audio Interface (AME2)
The preamps on the MAONO Audio Interface (AME2) offer a high level of performance with phantom power support and a three-level mic gain adjustment. This means you get a clean, high-quality sound from your XLR microphones, which is great for reducing background noise and enhancing vocal clarity. ability to handle up to 11 customizable sound pads makes it a fun choice for live streaming and podcasting. You can upload and control various audio clips, which can add a lot of personality to your streams or recordings.
The sound pads are well-integrated, letting you adjust volume levels easily. While this feature is excellent for engaging content, it’s worth noting that the pads support different lengths of audio clips, which might limit how you use them for more complex needs. When it comes to recording instruments it has a dedicated 6.35mm jack for guitars and other instruments, allowing for clean recordings without compromising on tone. This makes it a good choice if you’re looking to record both voice and instruments without needing multiple interfaces.
Specifications:
- Number of Channels: 10
- Connectivity Technology: XLR, 3.5mm TRRS, 6.35mm, USB Type-C
- Item Weight:09 pounds
- Product Dimensions:64 x 6.18 x 2.16 inches
- Digital Audio Protocol: USB 2.0
- Signal Format: Analog/Digital
- Supported Software: OBS, Discord, Zoom, Audacity, YouTube, Facebook, TikTok, Twitch
- Preamp Quality: 3-level gain adjustment, ultra-low noise gain up to 60dB
- Reverb Modes: 6
- Auto-Tune: 12-step auto-tune
Pros:
- 11 customizable sound pads with looping and volume control
- Six reverb modes for customizable audio effects
- Auto-tune and pitch changer for vocal enhancements
- High gain preamps with ultra-low noise
- Adjustable tone controls for tailored sound
Cons:
- No onboard effects or DSP
Audio Interface For Vocals | Buying Guide
When selecting the ideal audio interface for vocals, it’s essential to consider several key factors to ensure top-quality recordings. Here’s a detailed buying guide to help you make an informed decision:
1. Preamplifier Quality
The preamplifier boosts the microphone signal to line level, which is crucial for capturing clean, clear vocals. High-quality preamps enhance the detail and warmth of the recording.
- Gain Range: Look for a preamp with at least 50dB of gain. This range is typically sufficient to handle various microphones, including those with low output.
- Noise Level: Choose a preamp with low self-noise. A good benchmark is self-noise below 10dB (A-weighted), which minimizes unwanted noise.
- Headroom: Ensure the preamp has ample headroom to prevent distortion during high-volume recordings. Typically, preamps with a headroom of +15dB or higher are preferred.
Look For: Preamps that offer a broad gain range, low self-noise, and substantial headroom provide a clearer and more professional recording experience.
2. Phantom Power And Input Options
Phantom power is essential for powering condenser microphones, which need external voltage. The variety of input options affects the flexibility of your recording setup.
- Phantom Power: Confirm that the interface provides 48V phantom power, the standard required for most condenser microphones.
- Input Types:
- XLR Inputs: Ensure at least one XLR input for microphones.
- 1/4-inch TRS Inputs: Useful for connecting line-level instruments.
- Instrument Input: A dedicated high-impedance input (usually 1/4-inch) for instruments like guitars or basses.
- Additional Inputs: Some interfaces include 3.5mm TRRS inputs or MIDI, enhancing versatility.
What to Look For: Interfaces with reliable 48V phantom power and a variety of input types accommodate different recording setups and equipment.
3. Low Latency
Latency refers to the delay between recording and playback of audio. Low latency is crucial for real-time monitoring and smooth recording.
- Latency Rates: Look for interfaces that offer latency under 10ms. Lower latency ensures that the delay is minimal, which is critical for live monitoring.
- Direct Monitoring: Features like direct monitoring allow you to hear the input signal in real-time without delay.
What to Look For: Interfaces with low latency specifications and direct monitoring features provide a more immediate and accurate recording experience.
4. Audio Resolution
Audio resolution refers to the bit depth and sample rate of recordings. Higher resolution results in more detailed and accurate recordings.
- Bit Depth: Aim for at least 24-bit resolution. This depth offers a higher dynamic range, reducing noise and distortion.
- Sample Rate: Look for a sample rate of at least 96kHz. Higher sample rates (192kHz) capture more detail but may not be necessary for all recordings.
What to Look For: Interfaces that support 24-bit/96kHz or higher provide excellent audio detail and clarity, suitable for professional vocal recordings.
5. Software Integration And Compatibility
Software integration ensures the interface works seamlessly with your recording and editing software. Compatibility affects ease of use and workflow.
- DAW Compatibility: Ensure the interface is compatible with popular Digital Audio Workstations (DAWs) like Pro Tools, Ableton Live, or Logic Pro.
- Bundled Software: Check if the interface includes software bundles for recording, mixing, and sound design, which can add value.
What to Look For: Interfaces with broad DAW compatibility and useful software bundles streamline your recording process and enhance your creative options.
6. Build Quality And Portability
The durability and size of the interface affect its suitability for different recording environments, from home studios to mobile setups.
- Material: Look for robust construction with metal or high-quality plastic. This ensures longevity and resistance to wear.
- Size: Consider the size and weight of the interface. Compact, portable interfaces are ideal for mobile recording, while larger models offer more features.
What to Look For: Interfaces with sturdy construction and a portable design are versatile and reliable and are suitable for both home studios and on-the-go recording.
7. Connectivity Options
Connectivity options determine how the interface connects to your computer and other equipment. More connectivity options increase flexibility.
- USB/USB-C: Ensure the interface uses a reliable USB or USB-C connection for compatibility with modern computers.
- Other Ports: Look for additional ports such as MIDI, ADAT, or SPDIF if you need to connect external gear or expand your setup.
What to Look For: Interfaces with versatile connectivity options provide greater flexibility and integration with various devices and systems.
FAQs:
For recording vocals, a preamp gain range of 40-60dB is typically ideal. This range ensures that both dynamic and condenser microphones can capture detailed audio without introducing too much noise. Some high-end interfaces offer even more gain, but for most vocal recording needs, 50-60dB will provide enough headroom and clarity.
Yes, if you’re using a condenser microphone, 48V phantom power is essential. Condenser mics require this power to function properly. Most audio interfaces come with switchable phantom power, so it’s important to ensure this feature is available if you plan to use condenser microphones for your recordings.
Latency is the delay between the input signal (your voice) and the output signal (what you hear in your headphones). Low latency is crucial for vocalists, as delays can disrupt timing and pitch. Look for interfaces that offer latency below 10ms, with some models providing near-zero latency monitoring to avoid these issues altogether.
A minimum of 24-bit/96kHz audio resolution is recommended for vocal recordings. This level of resolution ensures high-fidelity sound, capturing the nuances of your voice. While some interfaces offer up to 192kHz, 96kHz is sufficient for most professional-grade recordings, balancing quality and file size.
Yes, but the number of microphones you can connect depends on the number of XLR inputs your interface has. For instance, the Behringer U-Phoria UMC202HD offers two XLR inputs, allowing you to connect two microphones simultaneously. If you need to record more vocals or instruments at once, consider an interface with more input channels.
Good software integration allows for seamless control over your recording environment. Interfaces that come bundled with DAW software, like the PreSonus AudioBox GO, provide tools for mixing, editing, and applying effects to your vocals. Make sure the interface is compatible with your preferred recording software for the best results.
Yes, interfaces like the PreSonus AudioBox GO are designed for mobile recording, offering USB-C connectivity and compatibility with both Apple and Android devices. These portable interfaces are ideal for vocalists on the go, providing professional-grade sound without the need for a full studio setup.
Customizable sound pads, like those on the MAONO AME2, allow you to trigger effects, samples, or loops during live recordings or performances. This feature is particularly useful for podcasters and live streamers who need quick access to sound effects or background music, enhancing the overall production quality.
Build quality is essential for durability, especially if you’re traveling or frequently moving your gear. Interfaces like the Focusrite Scarlett Solo 3rd Gen are known for their robust metal chassis, which can withstand the rigors of daily use while protecting internal components from damage.
Yes, many audio interfaces are versatile enough to handle both vocals and instruments. For example, the M-Audio M-Track Solo features a dedicated instrument input in addition to its XLR microphone input, allowing you to record vocals and guitar simultaneously. This versatility makes these interfaces suitable for solo musicians and small bands alike.
Conclusion
In conclusion, choosing the best audio interface for vocals depends on balancing factors like preamplifier quality, input options, and latency, along with the specific needs of your recording setup. Whether you’re a beginner looking for an affordable option or a professional seeking advanced features, understanding these elements is key to making an informed decision. The products we’ve reviewed each offer unique strengths, from the simplicity of the Focusrite Scarlett Solo to the versatility of the MAONO AME2. By focusing on the features that matter most to your workflow, you can ensure that your vocals are captured with clarity, depth, and precision.
